In The Thinking Eye, I explored drawing as a method of observation, analysis, and visual thinking. Through seminars, I examined architectural drawings, artworks, digital illustrations, and spatial representations, focusing on how line, composition, tonality, colour, and perspective shape the way we perceive space and emotion.
This was an individual course project. I was responsible for the full visual analysis process, written reflections, image comparisons, personal interpretations, and final A3 portfolio composition. The project mainly supported my development in Creativity & Aesthetics, especially visual structure, atmosphere, and spatial perception.
Rather than treating drawing only as a technical skill, this course helped me understand visual language to communicate ideas, atmosphere, structure, movement, and narrative. The outcome was an A3 visual portfolio documenting my analytical process through written reflections, visual comparisons, and personal interpretations.
This project strengthened my foundation in Creativity & Aesthetics, especially my sensitivity to visual structure and spatial perception.